Ramadan and TV (1/3): political boycott and women’s affirmation

Ramadan has seen many comments about the sudden disappearance of Syrian TV serials from the Arab screens. The very much acclaimed Bâb al-hâra (The door of the district) was the only one to make its way to numerous viewers. For many people, the boycott of the Syrian production by most of (Saudi owned) TV stations could be the real explanation.

Censorship was a second issue, especially in Egypt with a TV serial which tackled a very sensitive question, that of the fate of hundreds of Egyptian soldiers who were said to be buried alive in the Sinai sands during June 67 war.

But it is Question of Public Opinion (قضية رأي عام), filmed in Egypt by the Syrian director Muhammad Aziziyyeh and aired on different channels, including the prestigious Dubai TV, which had been the most debated production. Famous actress Yusra, considered to be “liberal” gave many press interviews to defend the work she acted in as a rape victim. She said, among other things, that shocking pictures could be a necessity if someone wants things to change.

If the stories described by the various TV serials reflect to some extend the real preoccupations of the Arab audience, indeed many people think in the Arab world that it is time to see changes in women's rights and situation in the area.

To read the original and more detailed post in french

Ramadan and TV (2/3): Comedies, Social Critic and Censorship

High Season for TV watching, Ramadan also is a time for more freedom in TV programs which deal, in a way or another, with social and sensitive issues.

For TV watchers of the Arab Peninsula, the big thing is, no doubt, a program called Tash Ma Tash (something like “Got it, Lost it!”). Since some 15 years (!), that incredibly popular TV serial succeeds in addressing sensitive issues in rather non conformist and “progressive” ways.

That year, Tash Ma Tash writers decided for instance to deal in a not so respectful way with the religious TV channels phenomenon mentioned in our previous post.

As they need more than one scandal for their TV season, they also spoke of the debated religious courts and it has been said that an Islamic judge pressed charges against them in Dubai.

But Tash Ma Tash writers broke that year with the tradition as they dedicated one program to the critic of the “liberal wing”.

Such an unusual tone for Tash Ma Tash writers was of course the subject of many discussions. Apparently, many people think that such an attack on the progressive wing was a clever move in order to look more neutral.

All Ramadan TV writers are not so successful with censorship. You’ll pay for your faults sooner or later (for the Arabic "lil-khataya thaman"), a TV serial due to be aired on MBC TV, was “postponed” after violent demonstrations in Kuwait.

To read the original and more detailed post in french

Ramadan and TV (1/3): More and more Religious Screens

Ramadan, the great time for TV watching in the Arab World, had something new this year: the rising number of religious channels.

In the Lebanese daily Al-Akhbar, an article describes the phenomenon under the title “This is how ‘religion’ has won the Satellite TV war.”

Showing how media tycoon Al-Waleed Ibn Talal, owner of Rotana, a music channel, is investing in various religious channels for specialized audiences (chidren, migrants, etc.), the journalist explains that Ramadan 2007 will see a decisive battle between competing religious channels using classical marketing tools in order to increase their public.

According to one Arab professional, there is still room for more good religious channels even if many unprofessional ventures which have been launched are due to collapse sooner or latter.

Poorly managed, with very low investments, many religious channels are taken between contradictory and even conflicting projects: the small ads which can be read at the bottom of the screen do not fit at all with the religious advices given by the many shaykhs acting in the various programs.

To read the original and more detailed post in french

From Kufiya to Islamic Scarf

The Palestinian kufiya is trendy in western boutiques. But even as a fashion accessory, the success story of this symbol of the Palestinian struggle may be unbearable to some people and an “Israeli kufiya” – white and blue, with stars of David on it – has been invented. A “spoliation” of the Palestinian heritage very much criticized in the Arab press, unless one could see it as an indirect and unintentional tribute to the Palestinian national cause.

The kufiya became world-wild known during the 60’, with the rising of the PLO and of their charismatic leader. This picture of Leila Khaled, famous for participating in various hijacking operations, reflects the spirit of that time when the struggle for liberation and national identity went hand in hand with the affirmation of the women’s rights and equality to men.

Well known in the whole Middle East and adopted by the Palestinians as a national symbol at least since the 30’, the kufiya is, according to Fred Halliday (100 myths about the Middle East, p. 13), a kind of ‘invented tradition’ (Eric Hobsbawn) as the pattern associated with Palestinian national identity was designed in an English factory of Manchester in order to be used by the soldiers of the famous Arab Legion!

Whatever origin it may have, a look at this picture of Venezuela’s President Chavez shows that the kufieh has not lost all of its political meaning. But a question remains: is it because the kufiya has become a fashionable accessory sold in the fancy boutiques of the Western World that the Islamic scarf is now so trendy in the Arab countries?

Plenty of comments on the kufiya on Ten Swedenburg's blog.
To read the original and more detailed post in French, follow that link

My life, Arab Movie : Boycott and Normalization

Since the Camp David Agreements in 1978, “normalization” means in Arabic the refusal by most of Arab artists and intellectuals of any activity in connection with Israelis.

“Normalization” may be enforced by law according to the regulations of professional associations as in Egypt where the Artists syndicate has recently decided to clear actor ‘Amr Waked of all charges after his contribution to a movie about Saddam Hussein’s where an Israeli actor was also performing.

“Normalization” always raised problems, especially with Arab Israelis unable to meet other Arab because of their “wrong” passport. On the other side, Arabs artists who visit Palestinians, even in the Occupied Territories, face trouble. It was the case recently with a Tunisian singer, although he was invited by the major Palestinian phone society.

Last October, the organizers of the first Middle East International Film Festival of Abu Dhabi also had to cope with normalization. First, they were supposed, according to some Israelis newspapers, to put an Israeli film, called The Band’s Visit, in their program. Under the threat of a boycott by many Arab professionals, they denied such an intention although it is known that pressure for the selection of that movie has been put on them, as on other Arab film festival organizers.

Later on, an Egyptian documentary, called Salata Baladi (Mixed Salad), also raised the issue of normalization. The film is based on the real story of an Egyptian family, from a “mixed” religious origin (Christian, Jew and Muslim). The family is split between various countries, especially since a part of it went to Israel in 1946, something Mary, a leftist activist and grant mother of the movie maker, Nadia Kamel, never accepted. But the old lady finally accepts to brake the taboo of “normalization” and goes to Israel in order to visit her “lost” family.

Salata Baladi has been seen, by some Arab viewers, as an unacceptable call for “normalization” unless the film is obviously anything but a “black and white” story.

What happened to Salata Baladi – even if the film was defended by many voices in the Arab world – reminds us of the reactions provoqued by the short visit, back to Haifa, that Palestinian poet Mahmud Darwish made last summer.

Obviously, normalization remains a controversial issue, and a painful one.

To read the original and more detailed post in french
And that link for the blog on Salata Baladi film (arabic and english)

Islam and Videos: Sami Yusuf (2/2)

First of all: we should not speak of Sami Yusuf in this blog dedicated to Arab modern culture. Born in Iran in an Azeri family, Sami Yusuf is marketed by the firm Awakening, based in the UK and specialised in Islamic commodities.

But Sami Yusuf, the man who "invented" the Islamic videoclip, regularly tours Arab capitals where he has many fans, two of them running an impressive site dedicated to their favourite singer.

The singer appears regularly on major Arab satellite TV screens, even if he does not speak Arabic. Like many other non-Arab muslims, he performs his religious duties in a foreign and “dead” language, like Catholics used to do with Latin not so long ago.

Sami Yusuf’s fame in the Arab world started in 2003, with his CD “al-mu‘allim” (the Master, for the Prophete). The recipe for success was already there: Arab and English lyrics in the tradition of the nasheed songs which glorify God; a kind of halal music which only uses percussions and voice (a piano appears on more recent works); a very Western mood whose pictures remind us of Hollywood Chewing gum advertisements!

In the Arab world at least, someone was behind this success story as Sami Yusuf met the Egyptian TV preacher ‘Amr Khaled (already mentioned in the previous post), when the latter was living there more or less in exile. They started collaborating, during 2005 "Muslim World Star" tour for instance.

Of course, this collaboration went on when the singer started his Arab career. Sami Yusuf was invited at various Amr Khaled’s TV shows and both are marketed, in the Arab world, by the same company, “Good News for Me”.

When some people expressed their reprobation of this kind of joint venture between two media stars, Sami Yusif replied that he did feel very “oriental” and that his only desire was to spread a spiritual message showing that one could be muslim and modern, nice looking and devoted to God.

Obviously, this is a point of view which touches many young people in the Arab world, especially within the raising middle classes which do not believe in political struggle in order to change society but see that moral action is more successful.

A turn toward a kind of “soft islam” (see this previous post), quite appealing to people who fear an islam somehow too political.

To read the original and more detailed post in french.
And think link leads you to al-mu'allem song.

Islam and Videos (1/2)

Moral videos are fashionable in the Arab world. For instance, a video, which is said to be the first clip produced by nationals, was recently filmed in Saudi Arabia by a young producer named Qaswara al-Khatib.

The pitch is rather simple: a young professional is living a “bad” life and getting into more and more troubles until he comes to understand, after an accident on his motorbike, that “only God will help” (ما لك غير الله).

As noticed in Amal’s “Arab Woman Progressive Voice” blog, it is not just a coincidence if the camera shows at different times the main character wearing a T-shirt with the world “progressive” written on large letters on it. As we have seen in a previous post about TV soap operas, “progressist” or “liberal” are indeed very “bad words” for those who hope to put the youth back on the right track.

Ramadan being a high season for devotion and business, many singers take this opportunity to sell CD’s records with pious songs. In the impressive list of them which was published in Al-Hayat, Tamer Husni deserves special attention as one of the most favourite and scandalous pop singers of the Egyptian and Arab youth has radically changed since he left jail some months ago.

Indeed, when he was in prison Tamer Husni has been visited by the very famous ‘Amr Khaled, one of the top preachers of the new generation. Since that meeting, Tamer has become a committed (ملتزم) singer, meaning a singer committed to the spread of the Good World and the Right Thinking.

It would be very nasty to see in that cooperation something like a smart marketing campaign between two icons of the Arab youth. Thus, when an Internet site like islamonline.net, close to the religious opposition, does allude to such a possibility, one may think that there is some kind of irritation, sincere or not, for this commercial use of religious feelings…

To read the original and more detailed post in french and to listen to Only God Will Help song, this link.